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Victory

There is no Rescue Mission where it isn’ t freezing
from the need that created it. The lost children

distill to pure chemical. Where Good is called No-Tone
it’ s the one who cries out who doesn’ t get a coat.

The children fuse colors because they don’ t want to
separate. Daughters shot off of hydrants who cut

each other in the neck and gut, don’ t care
which one of them will end up later in surgery.

Victory, WI

All hail the crumbling stone monument
to the Battle of Bad Axe, the wooden helve

long rotted and burned, the short walk to the river,
where we can bathe in its brown,

where a steamboat ghost huffs out
a stream of bullets. We are invulnerable

to their spectral lead, descendants
of fur traders (beaver, ermine,

skunk). Our lungs are clean and pink. Let’ s visit
the saw shop, the greenhouse with bluff views,

the pines and stacks of firewood,
the Blackhawk general store, named for

Vincent, Homesick for the Land of Pictures

Is this what you intended, Vincent
that we take our rest at the end of the grove
nestled into our portion beneath the bird’ s migration
saying, who and how am I made better through struggle.
Or why am I I inside this empty arboretum
this inward spiral of whoop ass and vision
the leafy vine twisting and choking the tree.
O, dear heaven, if you are indeed that
or if you can indeed hear what I might say
heal me and grant me laughter’ s bounty
of eyes and smiles, of eyes and affection.

Violent Rooms

1.

The contours of the girl blur. She is both becoming and fact.
A rancor defines the split. Rip into. Flatten the depth of voice. That

urgent flex peels off the steady layers. A girl, I say.
Girl. Gu-erl. Quell. He. He — unbuttons before emergence.

As in yard rake pressed to roof of mouth. A fragrant rod.
Suh — sssuh — ssuck. Insistence. Lips go lisp. Our brutish boy.

Having not ever been whole. Or simple. Or young. Just split and open.
Not of it. For it. Born a cog of hard wheel at five, six, seven...

Virgin Mule

The conversations of the French
Quarter mules in their stables
after a full day of pulling
tourists and voters over cobble-
stones is not espresso witty
and in their dark no TVs feed
them news of the ends of mules
elsewhere in the Middle East
and West. In our stables the ends
of others are a fact of atmosphere.
The yoyos on the mystery island
nextdoor are revving familiar tools
in backyard now gripped by failure
first of electricity than of
a meaner something that’ ll grow

Virtue

Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky;
The dew shall weep thy fall to-night,
For thou must die.

Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,
And thou must die.

Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.

Visitor

I am dreaming of a house just like this one

but larger and opener to the trees, nighter

than day and higher than noon, and you,

visiting, knocking to get in, hoping for icy

milk or hot tea or whatever it is you like.

For each night is a long drink in a short glass.

A drink of blacksound water, such a rush

and fall of lonesome no form can contain it.

And if it isn’ t night yet, though I seem to

recall that it is, then it is not for everyone.

Did you receive my invitation? It is not

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