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Women Who Love Angels

They are thin
and rarely marry, living out
their long lives
in spacious rooms, French doors
giving view to formal gardens
where aromatic flowers
grow in profusion.
They play their pianos
in the late afternoon
tilting their heads
at a gracious angle
as if listening
to notes pitched above
the human range.
Age makes them translucent;
each palpitation of their hearts
visible at temple or neck.
When they die, it’ s in their sleep,
their spirits shaking gently loose

Woodcut

It is autumn but early. No crow cries from the dry woods.
The house droops like an eyelid over the leprous hill.
In the bald barnyard one horse, a collection of angles
Cuts at the flies with a spectral tail. A blind man’ s
Sentence, the road goes on. Lifts as the slope lifts it.

Comes now one who has been conquered
By all he sees. And asks what — would have what —
Poor fool, frail, this man, mistake, my hero?

Words Are the Sum

1

As so-called quarks, so atoms before and through
And after molecules, which too
Constitute us awhile, pluming

Through our slowly changing shapes
Like beachscapes
Through a duneless sandglass, say

(I said, once) — all these
So utterly forgetful, wiped clean
As numbers with each new use, lint-free.

How not so words, which pass our minds
And mouths and ears from hind-
Most elsewhere, on their way to elsewhere — why

Would-Land

5 am. One-quarter past.
Distant chimes inform me this.

A bell peal knells the mist.
And sunlight’ s

not yet bludgeoning.
But some light gets blood going.

Last night it was snowing
and now

every path’ s a pall.
Though mine the only footfalls

at this hour of awe. Above
hangs a canopy of needle leaf.

Below, the season’ s
mean deceit —

that everything stays
white and clean.

It doesn’ t, of course,
but I wish it. My prayers

Writing in the Afterlife

I imagined the atmosphere would be clear,
shot with pristine light,
not this sulphurous haze,
the air ionized as before a thunderstorm.

Many have pictured a river here,
but no one mentioned all the boats,
their benches crowded with naked passengers,
each bent over a writing tablet.

I knew I would not always be a child
with a model train and a model tunnel,
and I knew I would not live forever,
jumping all day through the hoop of myself.

Written By H'Self

The signature public
the only avant-garde
behind invention

wheelchairs (in) "the street."
Type (A) bleeds through the page —
or screen — it becomes —

a pool as it we're
one drop rules(.)
Individual talent

divides tradition
into tithes, tenths
and nationalized tribes —

catch-as-catch-can
market share erosion.
Staggered Lees

piggyback the Gap.
John Henry — busted by Keaton.
Gentlemen, 'e thinks,

as the bespoken,
it was the other
kind of happy

Written in London. September, 1802

O Friend! I know not which way I must look
For comfort, being, as I am, opprest,
To think that now our life is only drest
For show; mean handy-work of craftsman, cook,
Or groom! — We must run glittering like a brook
In the open sunshine, or we are unblest:
The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
This is idolatry; and these we adore:
Plain living and high thinking are no more:
The homely beauty of the good old cause

Wyatt Resteth Here

Wyatt resteth here, that quick could never rest;
Whose heavenly gifts increased by disdain,
And virtue sank the deeper in his breast;
Such profit he of envy could obtain.

A head, where wisdom mysteries did frame,
Whose hammers beat still in that lively brain
As on a stith, where some work of fame
Was daily wrought, to turn to Britain’ s gain.

A visage, stern and mild; where both did grow,
Vice to condemn, in virtues to rejoice;
Amid great storms whom grace assured so,
To live upright and smile at fortune’ s choice.

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