In Ocean's wide domains,
Half buried in the sands,
Lie skeletons in chains,
With shackled feet and hands.
Beyond the fall of dews,
Deeper than plummet lies,
Float ships, with all their crews,
No more to sink nor rise.
There the black Slave-ship swims,
Freighted with human forms,
Whose fettered, fleshless limbs
Are not the sport of storms.
With favoring winds, o'er sunlit seas,
We sailed for the Hesperides,
The land where golden apples grow;
But that, ah! that was long ago.
How far, since then, the ocean streams
Have swept us from that land of dreams,
That land of fiction and of truth,
The lost Atlantis of our youth!
Whither, ah, whither? Are not these
The tempest-haunted Orcades,
Where sea-gulls scream, and breakers roar,
And wreck and sea-weed line the shore?
You only have to make her one grilled cheese
in the suffocating heat of summer
while still wearing your wet swim trunks
to know what it’ s like to be in love.
And you only have to sit once
for a haircut in the air conditioning
with the lovely stylist to forget all about it,
and to forget that anything in the universe
ever existed prior to the small, pink sweater
now brushing softly against your neck.
In this world, every birth is premature.
How else to explain all of this silence,
all of this screaming,
New Year’ s morning —
everything is in blossom!
I feel about average.
A huge frog and I
staring at each other,
neither of us moves.
This moth saw brightness
in a woman’ s chamber —
burned to a crisp.
When I ran, it rained. Late in the afternoon —
midsummer, upstate New York, mornings I wrote,
read Polish history, and there was a woman
whom I thought about; outside the moody, humid
American sublime — late in the afternoon,
toward sundown, just as the sky was darkening,
the light came up and redwings settled in the cattails.
They were death's idea of twilight, the whole notes
of a requiem the massed clouds croaked
above the somber fields. Lady of eyelashes,
do you hear me? Whiteness, otter's body,
Little green involute fronds of fern at creekside.
And the sinewy clear water rushing over creekstone
of the palest amber, veined with a darker gold,
thinnest lines of gold rivering through the amber
like — ah, now we come to it. We were not put on earth,
the old man said, he was hacking into the crust
of a sourdough half loaf in his vehement, impatient way
with an old horn-handled knife, to express ourselves.
I knew he had seen whole cities leveled: also
that there had been a time of shame for him, outskirts
This morning a cat — bright orange — pawing at the one patch of new grass in the sand-and tanbark-colored leaves.
And last night the sapphire of the raccoon's eyes in the beam of the flashlight.
He was climbing a tree beside the house, trying to get onto the porch, I think, for a wad of oatmeal
Simmered in cider from the bottom of the pan we'd left out for the birds.
Summoned by conscious recollection, she
would be smiling, they might be in a kitchen talking,
before or after dinner. But they are in this other room,
the window has many small panes, and they are on a couch
embracing. He holds her as tightly
as he can, she buries herself in his body.
Morning, maybe it is evening, light
is flowing through the room. Outside,
the day is slowly succeeded by night,
succeeded by day. The process wobbles wildly
Don’ t worry, spiders,
I keep house
casually.
New Year’ s Day —
everything is in blossom!
I feel about average.
The snow is melting
and the village is flooded
with children.
Goes out,
comes back —
the love life of a cat.
A sentence with “dappled shadow” in it.
Something not sayable
spurting from the morning silence,
secret as a thrush.
The other man, the officer, who brought onions
and wine and sacks of flour,
the major with the swollen knee,
wanted intelligent conversation afterward.
Having no choice, she provided that, too.
Potsdamerplatz, May 1945.
