Nature

All Summer Long

The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.

The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.

Matins

I

I’ ve felt undeserving. I’ ve made myself ill with the glory,
in the unleavened garden
disgorged the lies and scared away with a stick a snake.
What made me cover that which I could not have?

I’ ve grieved and walked in catacombs,
I’ ve felt undeserving. I’ ve made myself ill with the glory.
Even the falling leaves gesture their renunciation.
I disgorge the lies and abhor the serpent’ s hiss.

To Kill a Deer

Into the changes of autumn brush
the doe walked, and the hide, head, and ears
were the tinsel browns. They made her.
I could not see her. She reappeared, stuffed with apples,
and I shot her. Into the pines she ran,
and I ran after. I might have lost her,
seeing no sign of blood or scuffle,
but felt myself part of the woods,
a woman with a doe’ s ears, and heard her
dying, counted her last breaths like a song
of dying, and found her dying.
I shot her again because her lungs rattled like castanets,

The Lake

Day and night, the lake dreams of sky.
A privacy as old as the mountains
And her up there, stuck among peaks. The whole eye

Fastened on hawk, gatherings of cloud or stars,
So little trespass. An airplane once
Crossed her brow; she searched but could not find

A face. Having lived with such strict beauty
She comes to know how the sun is nothing
But itself and the path it throws; the moon

Cool Dust

A heave of afternoon light pulls a tulip from the turf, a bower for locusts, a cup of shells. The farmhouse tilts, a bent shadow on wheels. In cedar rooms a family is molded, silent, wrapped in the wire of steel eyes and stopped voice, romantic ash. This is not my house, my ghost, my uninvited guest, my lost labor of love, my thicket or grease, my JPEG gessoed or rawhide suit. The yellow light throbs like an internal organ — soft body of an overture to insect sounds — sapling of a new world — whose future awaits me at the tilting window of my own domestic hut.

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