A tree that grew in the Garden of Eden
a tree of innocence called
the Tree of Good and Evil. It was harmless
as opposites are in balance. It was also
tasteless,
the taste of innocence before it is betrayed.
When God removed the wall
he gave the lemon thorns and bitterness because it had
no hostility.
It is a taste we want most to subdue. It asks
to be left alone.
We use it with fish and tea. We sugar it.
We communicated by cheeses,
unwrapping them gingerly,
parting the crust with a fork,
tasting dew, must, salt,
raising an eyebrow,
or we let chianti talk for us,
rolling it in the glass,
staring — it was dark and shiny
as the pupil, and stared back —
or we undressed each other;
we took long walks hand in hand
in the vineyards, the pastures,
resenting each other bitterly
for our happiness that excluded us
as surely as the world did,
mountain after mountain.
A blast off the Atlantic
snaps a flag in the Firth
of Clyde, while thirty leagues
away, the same synoptic wind
surges across this hillside
honeycombed with mineshafts,
sounding the unstopped slots
of a "G" harmonica left
to dry on the kitchen sill.
Snow charges a sky
in which the sun swims
and glimmers like a groat,
a turbulent space where owls
We gaze into your eyes, eyes, eyes, eyes.
We forget the display is blind.
Your fanned tail really a cupped palm,
gathering each hen’ s quiver to your ear,
your feathers the green-blue glamours of
reflective absence. No one
ever praises the ass of the peacock,
grin of quills that does the heavy lifting,
or how you eat anything from ants
to Styrofoam, from cheese to chicken.
Road roamer, flower devourer:
the one who’ ll pick a fight with a goat.
Geneticist as driver, down the gene
codes in, let's say, a topless coupe
and you keep expecting bends,
real tyre-testers on tight
mountain passes, but instead it's dead
straight, highway as runway,
helix unravelled as vista,
as vanishing point. Keep your foot
down. This is a finite desert.
You move too fast to read it,
the order of the rocks, the cacti,
roadside weeds, a blur to you.
Every hour or so, you pass a shack
which passes for a motel here:
tidy faded rooms with TVs on
Wake me in South Galway, or better yet
In Clare. You'll know the pub I have in mind.
Improvise a hearse — one of those decrepit
Postal vans would suit me down to the ground —
A rust-addled Renault, Kelly green with a splash
Of Oscar Wilde yellow stirred in to clash
With the dazzling perfect meadows and limestone
On the coast road from Kinvara down toward Ballyvaughan.
On a backwards-running clock in Lisbon,
By the marble statue of Pessoa;
On an antique astrolabe in London
Tracing out the sky above Samoa,
Thousands of miles away — in time, in place,
Each night conspires to create a myth
That stands for nothing real, yet leaves you with
The vague impression of a human face.
Like the stamen inside a flower
The steeple stands in lovely blue
And the day unfolds around its needle;
The flock of swallows that circles the steeple
Flies there each day through the same blue air
That carries their cries from me to you;
How much soil do you plow to soothe a conscience?
If you’ re a staked plains, dry-land, long view man:
a sky’ s worth. Some even sow the dry playa
mid-summer with sorghum, the cotton plowed under
after early hail. Thus, not every farmer keeps
an old broken homestead sacred as a graveyard.
Today, no Sharpshin on a pivot for an omen,
no stoic farmer on a turn-row changing water.
I have seen the arrested
shrub inform the crag with grief.
Lichens crust the rocks with red.
Thorns punctuate the leaf.
Sorrow is not a desert
where one endures the other —
but footing lost and halting
step. And then another.
