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December 24, 1971

When it’ s Christmas we’ re all of us magi.
At the grocers’ all slipping and pushing.
Where a tin of halvah, coffee-flavored,
is the cause of a human assault-wave
by a crowd heavy-laden with parcels:
each one his own king, his own camel.

Nylon bags, carrier bags, paper cones,
caps and neckties all twisted up sideways.
Reek of vodka and resin and cod,
orange mandarins, cinnamon, apples.
Floods of faces, no sign of a pathway
toward Bethlehem, shut off by blizzard.

Lines on the Winter Campaign, 1980

I
A bullet’ s velocity in low temperatures
greatly depends on its target’ s virtues,
on its urge to warm up in the plaited muscles
of the torso, in the neck’ s webbed sinews.
Stones lie flat like a second army.
The shade hugs the loam to itself willy-nilly.
The sky resembles peeling stucco.
An aircraft dissolves in it like a clothes moth,
and like a spring from a ripped-up mattress
an explosion sprouts up. Outside the crater,
the blood, like boiled milk, powerless to seep into

The End of a Beautiful Era

Since the stern art of poetry calls for words, I, morose,
deaf, and balding ambassador of a more or less
insignificant nation that’ s stuck in this super
power, wishing to spare my old brain,
hand myself my own topcoat and head for the main
street: to purchase the evening paper.

The Hawk's Cry in Autumn

Wind from the northwestern quarter is lifting him high above
the dove-gray, crimson, umber, brown
Connecticut Valley. Far beneath,
chickens daintily pause and move
unseen in the yard of the tumbledown
farmstead, chipmunks blend with the heath.

Now adrift on the airflow, unfurled, alone,
all that he glimpses — the hills’ lofty, ragged
ridges, the silver stream that threads
quivering like a living bone
of steel, badly notched with rapids,
the townships like strings of beads

Blackberry-Picking

Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer's blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills

Clearances

She taught me what her uncle once taught her:
How easily the biggest coal block split
If you got the grain and hammer angled right.

The sound of that relaxed alluring blow,
Its co-opted and obliterated echo,
Taught me to hit, taught me to loosen,

Taught me between the hammer and the block
To face the music. Teach me now to listen,
To strike it rich behind the linear black.

Glanmore Sonnets

I
Vowels ploughed into other: opened ground.
The mildest February for twenty years
Is mist bands over furrows, a deep no sound
Vulnerable to distant gargling tractors.
Our road is steaming, the turned-up acres breathe.
Now the good life could be to cross a field
And art a paradigm of earth new from the lathe
Of ploughs. My lea is deeply tilled.

Mid-Term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbours drove me home.

In the porch I met my father crying —
He had always taken funerals in his stride —
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were 'sorry for my trouble'.
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

Fountains in the sea

Water: no matter how much, there is still not enough.
Cunning life keeps asking for more and then a drop more.
Our ankles are weighted with lead, we delve under the wave.
We bend to our spades, we survive the force of the gusher.

Our bodies fountain with sweat in the deeps of the sea,
Our forehead aches and holds like a sunken prow.
We are out of breath, divining the heart of the geyser,
Constellations are bobbing like corks above on the swell.

"I cry your mercy-pity-love! -aye, love!"

I cry your mercy — pity — love! — aye, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen — without a blot!
O! let me have thee whole, — all — all — be mine!
That shape, that fairness, that sweet minor zest
Of love, your kiss, — those hands, those eyes divine,
That warm, white, lucent, million-pleasured breast,
Yourself — your soul — in pity give me all,

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