trouble with spain
I got in the shower
and burned my balls
last Wednesday.
met this painter called Spain,
no, he was a cartoonist,
well, I met him at a party
and everybody got mad at me
because I didn’ t know who he was
or what he did.
I got in the shower
and burned my balls
last Wednesday.
met this painter called Spain,
no, he was a cartoonist,
well, I met him at a party
and everybody got mad at me
because I didn’ t know who he was
or what he did.
he hooked to the body hard
took it well
and loved to fight
had seven in a row and a small fleck
over one eye,
and then he met a kid from Camden
with arms thin as wires —
it was a good one,
the safe lions roared and threw money;
they were both up and down many times,
but he lost that one
and he lost the rematch
in which neither of them fought at all,
hanging on to each other like lovers through the boos,
and now he’ s over at Mike’ s
changing tires and oil and batteries,
But to whatever animal we ascribe these remains, it is certain such a one has existed in America, and that it has been the largest of all terrestrial beings. It should have sufficed to have rescued the earth it inhabited, and the atmosphere it breathed, from the imputation of impotence....
— Thomas Jefferson, Notes on the State of Virginia
I called for armour, rose, and did not reel.
But when I thought...
I could feel
My wound open wide.
— Thom Gunn, “The Wound”
THE STATES
As if sliding down the green, scuffed face
of the wave, a seaplane falls
and turns together, keeping the waters of
the ear flat: a dead calm. But when the window’ s
frowning strip of shoreline,
the battalions of tropical-drinks umbrellas
guarding the sandcastles and saltboxes
of the rich,
when these flip upside down, and the pale
I learned from my mother how to love
the living, to have plenty of vases on hand
in case you have to rush to the hospital
with peonies cut from the lawn, black ants
still stuck to the buds. I learned to save jars
large enough to hold fruit salad for a whole
grieving household, to cube home-canned pears
and peaches, to slice through maroon grape skins
and flick out the sexual seeds with a knife point.
I learned to attend viewings even if I didn’ t know
the deceased, to press the moist hands
can go to Bible study every Sunday
and swear she’ s still not convinced,
but she likes to be around people who are.
We have the same conversation
every few years — I’ ll ask her if she stops
to admire the perfect leaves
of the Japanese maple
she waters in her backyard,
or tell her how I can gaze for hours
at a desert sky and know this
as divine. Nature, she says,
doesn’ t hold her interest. Not nearly
as much as the greens, pinks, and grays
of a Diebenkorn abstract, or the antique
At times they will fly under. The dome
contains jungles. Invent a sky under the dome.
Creatures awake, asleep, at play, aglow:
they float – unbottled genii – under the dome.
Southern Belle, a splash of black, dusted with gold,
dissembles, assembling, acts shy under the dome.
Cattleheart, Giant Swallowtail, Clipper:
sail, navigate sky high under the dome.
Like confetti – a wedding – bits of Rice
Paper: sheer mimicry under the dome.
Magnificent Owl, in air, a pansy,
it feeds, wings up, eye to eye, under the dome.
Because she died where the ravine falls into water.
Because they dragged her down to the creek.
In death, she wore her blue broadcloth skirt.
Though frost blanketed the grass she cooled her feet in the spring.
Because I turned the log with my foot.
Her slippers floated downstream into the dam.
Because, after the thaw, the hunters discovered her body.
Because she lived without our mother.
Because she had inherited head rights for oil beneath the land.
She was carrying his offspring.
She had a death in me, knees drawn up
and my bowl and cloth rinsed through with her.
As morning takes night, field closes the hare,
and ay would burrow into her.
She does this thing. Our seventeen-
year-old dog. Our mostly deaf dog.
Our mostly dead dog, statistically
speaking. When I crouch.
When I put my mouth to her ear
and shout her name. She walks away.
Walks toward the nothing of speech.
She even trots down the drive, ears up,
as if my voice is coming home.
It’ s like watching a child
believe in Christmas, right
before you burn the tree down.
Every time I do it, I think, this time
she’ ll turn to me. This time
she’ ll put voice to face. This time,