When first, descending from the moorlands,
I saw the Stream of Yarrow glide
Along a bare and open valley,
The Ettrick Shepherd was my guide.
When last along its banks I wandered,
Through groves that had begun to shed
Their golden leaves upon the pathways,
My steps the Border-minstrel led.
The mighty Minstrel breathes no longer,
'Mid mouldering ruins low he lies;
And death upon the braes of Yarrow,
Has closed the Shepherd-poet's eyes:
I don’ t know how fast I was going
but, even so, that’ s still
an intriguing question, officer,
and deserves a thoughtful response.
With the radio unfurling
Beethoven’ s Ode to Joy, you might
consider anything under 80 sacrilege.
Particularly on a parkway as lovely
as the one you’ re fortunate enough
to patrol — and patrol so diligently.
A loveliness that, if observed
at an appropriate rate of speed,
affords the kind of pleasure
which is in itself a reminder
of how civilization depends
On abandon, uncalled for but called forth.
The hydrangea
Of her crushed each year a little more into the attar of herself.
Pallid. Injured, wildly capable.
A throat to come home to, tupelo.
Lemurs in parlors, inconsolable.
Parlors of burgundy and sleigh. Unseverable fear.
Wistful, woke most every afternoon
Exuberance sips bootleg gin from a garter flask
with a ruby monogram “E.”
She wears a red dress one size too small,
eyes wide, she flirts with everyone, dares
Lincoln Beachey to fly until he runs out of gas,
rides a dead engine all the way down.
She watches Ormer Locklear climb
out of the cockpit two hundred feet up,
tap dance on his upper wing
as the houses of honest families
with their square-fenced yards
slide below his shuffle. An oval pond
winks in the sun, like a zero.
Exuberance challenges pilots
On paunchy green hills
in some province of China, you are the one I speak to.
Someone buys a perfume, recalling
that the bones of his beloved are small.
When he writes the note, when he wraps
the little bottle, he takes that into account. So do I.
The way we lay
we mimed a body
of water. It was
this or that way
with
the dead and we
were them. No
one
worried which...
Millet beer made
our legs go weak,
loosed
our tongues. “The dead,”
we
said, “are drowning
of thirst,” gruff
summons we muttered
out loud in our
sleep...
How much death works,
No one knows what a long
Day he puts in. The little
Wife always alone
Ironing death’ s laundry.
The beautiful daughters
Setting death’ s supper table.
The neighbors playing
Pinochle in the backyard
Or just sitting on the steps
It had almost nothing to do with sex.
The boy
in his corset and farthingale, his head-
voice and his smooth-for-the-duration chin
was not
and never had been simply in our pay. Or
was it some lost logic the regional accent
restores?
A young Welsh actor may play a reluctant
Dear lost sharer
of silences,
I would send a letter
the way the tree sends messages
in leaves,
or the sky in exclamations
of pure cloud.
Therefore I write
in this blue
ink, color
of secret veins
and arteries.
It is morning here.
Already the postman walks
the only parts of the body the same
size at birth as they’ ll always be.
“That’ s why all babies are beautiful,”
Thurber used to say as he grew
blind — not dark, he’ d go on
to explain, but floating in a pale
light always, a kind of candlelit
murk from a sourceless light.
He needed dark to see:
