A momentary rupture to the vision:
the wavering limbs of a birch fashion
the fluttering hem of the deity’ s garment,
the cooling cup of coffee the ocean the deity
waltzes across. This is enough — but sometimes
the deity’ s heady ta-da coaxes the cherries
in our mental slot machine to line up, and
our brains summon flickering silver like
salmon spawning a river; the jury decides
in our favor, and we’ re free to see, for now.
The flowering sea and the mountains in the moon’ s waning
the great stone close to the Barbary figs and the asphodels
the jar that refused to go dry at the end of day
and the closed bed by the cypress trees and your hair
golden; the stars of the Swan and that other star, Aldebaran.
Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
As some fond virgin, whom her mother’ s care
Drags from the town to wholesome country air,
Just when she learns to roll a melting eye,
And hear a spark, yet think no danger nigh;
From the dear man unwillingly she must sever,
Yet takes one kiss before she parts for ever:
Thus from the world fair Zephalinda flew,
Saw others happy, and with sighs withdrew;
Not that their pleasures caused her discontent,
She sighed not that They stayed, but that She went.
For this she starred her eyes with salt
And scooped her temples thin,
Until her face shone pure of fault
From the forehead to the chin.
In coldest crucibles of pain
Her shrinking flesh was fired
And smoothed into a finer grain
To make it more desired.
Pain left her lips more clear than glass;
It colored and cooled her hand.
She lay a field of scented grass
Yielded as pasture land.
Here lies, whom hound did ne’ er pursue,
Nor swifter greyhound follow,
Whose foot ne’ er tainted morning dew,
Nor ear heard huntsman’ s hallo’,
Old Tiney, surliest of his kind,
Who, nursed with tender care,
And to domesticate bounds confined,
Was still a wild jack-hare.
At once this dragnet of cousins
Whips its way into your presence saying
None of them among us. They are
Oracles on the court of midnight,
The tight filigree of a mind or your
Splashing around in, your pandemonium
Of copper graffiti inexpertly put up.
They make weapons of furled hands.
“We will walk, but our bones will carry
Ribbons of lead, or we will, like
Acrobats mill-headed in 3s (3 blades,
3 hips, 3 tongues), answer to what comes
Before, what comes before?” Eleousa,
Master of Dark Eyelids, eye opening
Someone said
that working through difficult equations
was like walking
in a pure and beautiful landscape –
the numbers glowing
like works of art.
And in the same crowded room
a woman I thought I didn’t like
was singing to herself –
talking and listening
The clockwork saguaros sprout extra faces like planaria stroked by
a razor. Chug
say the sparrows, emitting fluffs of steam. Chug chug say the piston-powered
ground squirrels.
The tumbleweeds circle on retrofitted tracks, but the blue pasteboard welkin
is much dented by little winds.
The yuccas pulse softly under the grow-light sconces.
Here is the door he will paint on the rock.
Here is the glass floor of the cliff.
Erstwhile means long time gone.
A harbinger is sent before to help,
and also a sign of things
to come. Like this blue
stapler I bought at Staples.
Did you know in ancient Rome
priests called augurs studied
the future by carefully watching
whether birds were flying
together or alone, making what
honking or beeping noises
in what directions? It was called
the auspices. The air
was thus a huge announcement.
Today it’ s completely
transparent, a vase. Inside it
flowers flower. Thus
