A huge purple door washed up in the bay overnight,
its paintwork blistered and peeled from weeks at sea.
The town storyteller wasted no time in getting to work:
the beguiling, eldest girl of a proud, bankrupt farmer
had slammed that door in the face of a Freemason’ s son,
who in turn had bulldozed both farm and family
over the cliff, except for the girl, who lived now
by the light and heat of a driftwood fire on a beach.
Mrs. Coley’ s three-flat brick
Isn’ t here any more.
All done with seeing her fat little form
Burst out of the basement door;
And with seeing her African son-in-law
(Rightful heir to the throne)
With his great white strong cold squares of teeth
And his little eyes of stone;
And with seeing the squat fat daughter
Letting in the men
When majesty has gone for the day —
And letting them out again.
You’ re clean shaven in this country
where trees grow beards of moss,
where even bank tellers
look a little like banditos
in vests as pungent as sweatsuits.
Still, you prefer the vegetable air
to almost any other place on the map.
After the heart attack,
you considered Paris —
the flying buttresses,
the fractured light of its cathedrals;
The unrestricted sun
had split the day in two,
and now we went
on the edge of the afternoon
like a tableau of bent figures
made of faded blue duck.
We went like a wandering
and stinking, sweating brotherhood,
pull by pull between
the leafy cotton plants,
with the pathetic appearance of arriving
at the end of the furrow.
But we always arrived
in a rush to get there,
and the sole logic was
we had to move over
to the next furrow,
and no one could stop
Bix to Buxtehude to Boulez.
The little white dog on the Victor label
Listens long and hard as he is able.
It’ s all in a day’ s work, whatever plays.
From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He’ s man’ s — no — he’ s the Leiermann’ s best friend,
Green miles of leafy peace are spread
Over these ranks, unseen and serried;
Screening the trenches with their dead
And living men already buried.
The rains beat down, the torrents flow
Into each cold and huddling cave;
And over them the beet-fields grow,
A fortress gentle as a grave.
Mother! whose virgin bosom was uncrost
With the least shade of thought to sin allied.
Woman! above all women glorified,
Our tainted nature's solitary boast;
Purer than foam on central ocean tost;
Brighter than eastern skies at daybreak strewn
With fancied roses, than the unblemished moon
Before her wane begins on heaven's blue coast;
Thy image falls to earth. Yet some, I ween,
Not unforgiven the suppliant knee might bend,
As to a visible Power, in which did blend
All that was mixed and reconciled in thee
His body ahead
Of him on the bed
He faces his feet
Sees himself dead,
A corpse complete
With legs and chest
And belly between
Swelling the scene
Of the crime you left,
Taking your time,
Angel of Death
Does no dishes, dribbles sauce
across the floor. Is more dragon
than spaniel, more flammable
than fluid. Is the loosening
in the knit of me, the mixed-fruit
marmalade in the kitchen of me.
Wakes my disco and inner hibiscus,
the Hector in the ever-mess of my Troy.
All wet mattress to my analysis,
he’ s stayed the loudest and longest
of any houseguest, is calling now
as I write this, tiny B who brings the joy.
1
song gives birth to
the song and dance
as the dance steps
the story speaks
2
the icy mountain water
that pierces the deep thirst
drums my fire
drums my medicine pouch
3
deep within my blood
a feather in the sky
foam on clear water
Tayko-mol!
4
free as the bear
and tall as redwoods
throb my blood roots
when spirits ride high
5
a valley ripe with acorns
and yellow poppies everywhere
as i stand here
dreaming of you
6
