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The Wooden Overcoat

It turns out there’ s a difference between a detail
and an image. If the dandelion on the sidewalk is
mere detail, the dandelion inked on a friend’ s bicep
is an image because it moves when her body does,

even when a shirt covers the little thorny black sun
on a thin stalk. The same way that the bar code
on the back of another friend’ s neck is just a detail,
until you hear that the row of numbers underneath

The Work

A great light is the man who knows the woman he loves
A great light is the woman who knows the man she loves
And carries the light into room after room arousing
The sleepers and looking hard into the face of each
And then sends them asleep again with a kiss
Or a whole night of love
and goes on and on until
The man and woman who carry the great lights of the
Knowledge of the one lover enter the room
toward which
Their light is sent and fit the one and the other torch
In a high candelabrum and there is such light

The World Below the Brine

The world below the brine,
Forests at the bottom of the sea, the branches and leaves,
Sea-lettuce, vast lichens, strange flowers and seeds, the thick tangle, openings, and pink turf,
Different colors, pale gray and green, purple, white, and gold, the play of light through the water,
Dumb swimmers there among the rocks, coral, gluten, grass, rushes, and the aliment of the swimmers,
Sluggish existences grazing there suspended, or slowly crawling close to the bottom,
The sperm-whale at the surface blowing air and spray, or disporting with his flukes,

The World’s Other Side

In Japan, when you die, they wheel
what’ s left of you out of the incinerator,
and what’ s left of your family takes turns
picking with special chopsticks.
It looks like they have gathered to dine
over a dead campfire, but they are not,
of course, eating you. They are feeding you
to the round mouth of an urn:
only in pieces, Father, to the fire.
In their bright swimsuits,
my daughters spill warm sand over my skin
as I lie still, watching the sun
needle the sky. The baby licks her fingers

The Wound

When I woke the darkness was so thick,
So palpable and black that my eyes
Seemed blind as stone staring into stone.

The blade that I had dreamed, efficient and quick
As it cut into my thigh, cleaning a gangrened
Wound infected to the bone, seemed poised

Above my throat: Close-grained, impenetrable,
The blackness rose before me like a wall.
And then off in the next room, nervous, light,

A soft padding as of an animal
Raced like my heartbeat in my temples
Round and round, trapped, stealthily desperate

The Wreck on the A-222 in Ravensbourne Valley

where the car hit him, fireweed sprang with
blazons of fennel

and umbels
of dill fell
through the spokes of a wheel

on Whistun holiday to the sun, Denton
Welch spun a web in his crushed cycle,

sat in the seat, spine curled up like a spider —

and spied: “saw
the very drops of sweat glittering frostily
between the shoulder blades”

of a lad

The Wreckage

At the edge of the city the pickerel
vomits and dies. The river
with its white hair staggers to the sea.

My life lay crumpled like a smashed car.

Windows barred, ivy, square stone.
Lines gather at mouth and at eyes
like cracks in a membrane.
Eyeballs and tongue spill on the floor
in a puddle of yolks and whites.

The intact 707
under the clear wave, the sun shining.

The X Man

His superpower was that his testicles manufactured sperm
with exclusively X chromosomes & that was ironic because
not only was he a beast to women but his 40 baby girls grew
up seeking men like the father they barely saw unless they went
to his studio to be painted which wasn’ t OK with their mothers
who were not only jealous but guilty of giving birth to girls
who were products of an X-chromosome-making monster
& would soon suffer at the hands of other monsters with X-
type sperm thereby assuring the continuation of suffering

The Youngest Two Hear Cicadas

Tennessee: We are here, between trees,
with the tempo of a rosary being strung
in a queue of escalating beads —

Carolina: It’ s not quite the count in
the countinghouse of my chest
but the heart does make an awful attempt

t: and a circle wherever it may be
there was music coming on

c: which though machinery-like
moves not in cogs, and never
springs, but waves through

t: like wired applause for antic backstage
buds on the pre-comeuppance buzz; but it
fades

c: but only after the chorus has pulsed

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