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from Hyperglossia [She wakes up...]

She wakes up in the afterlife in a fog. Unaware that she had an enemy, she was unprepared when the villain approached to deliver a fatal head injury. Part of her soul is stuck in her tomb, but as is common, it has a fake door where intercourse can occur, while another part of her soul begins a new adventure in form and in name. Always a reticent young woman, in premature death her speech-producing anatomy becomes irrepressible as she tries to render her circumstance comprehensible.

from Letter in April: VII

On the street
with our money
clutched
in our hands,
buying bread
and scattering breadcrumbs
for the bluish
doves.
Paying
to see
the fire eater,
the cigarette swallower
and the dead vagabond
who breathes.
Greeting
the palm tree
that sighs
at night.
Saying a few words
to the staring
stone figure
above the gate.
Laughing
and rushing
in
as if chased.
In the cool kitchen
we prepare
and arrange our food.

from Light: Winter

Winter is out for a lot this year
the beach already is stiff
all will be one will be one this year
wings and ice will be one in the world
all will be changed in the world:
the boat will hear its steps on the ice
the war will hear its war on the ice
the woman will hear her hour on the ice
the hour of birth in the ice of death
winter is out for a lot.
Out for the houses the cities
out for the forests the clouds
the mountains the valleys fear
the heart the children peace.

from Mercian Hymns

I

King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: moneychanger: commissioner for oaths: martyrologist: the friend of Charlemagne.

‘I liked that,’ said Offa, ‘sing it again.’

IV

I was invested in mother-earth, the crypt of roots and endings. Child’ s-play. I abode there, bided my time: where the mole

From My Window

Spring: the first morning when that one true block of sweet, laminar,
complex scent arrives
from somewhere west and I keep coming to lean on the sill, glorying in
the end of the wretched winter.
The scabby-barked sycamores ringing the empty lot across the way are
budded — I hadn't noticed —
and the thick spikes of the unlikely urban crocuses have already broken
the gritty soil.

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