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November Becomes the Sky With Suppers for the Dead

I am standing outside
in Minnesota
ghost wind recalling
names in winter mist

The road smells
of dogs two days dead

White photographers talk in
the house of mainstream
media

I can’ t articulate
the agony of Eagle Singer’ s
children to them.

November for Beginners

Snow would be the easy
way out — that softening
sky like a sigh of relief
at finally being allowed
to yield. No dice.
We stack twigs for burning
in glistening patches
but the rain won’ t give.

So we wait, breeding
mood, making music
of decline. We sit down
in the smell of the past
and rise in a light
that is already leaving.
We ache in secret,
memorizing

November, Late in the Day

So this is aging: the bare sun, skinned,
palely bucking the dark wind,
slides through the glass, crawls on the carpet,
climbs the footboard, lies crosswise on the blanket,
a spoiled dog waiting to be fed.

Not now, dear warmth. The kindling’ s in the shed,
too far to fetch. Those two great logs that close
together to make fire, repose
apart, an old couple reminiscing
on conflagrations they’ re now missing:
how every sunny Saturday afternoon,
Hey, diddle-diddle, the dish ran away with the spoon.

Now I knew I lost her — (1274)

Now I knew I lost her —
Not that she was gone —
But Remoteness travelled
On her Face and Tongue.

Alien, though adjoining
As a Foreign Race —
Traversed she though pausing
Latitudeless Place.

Elements Unaltered —
Universe the same
But Love's transmigration —
Somehow this had come —

Henceforth to remember
Nature took the Day
I had paid so much for —
His is Penury
Not who toils for Freedom
Or for Family
But the Restitution
Of Idolatry.

Nulla Dies Sine Linea

On my birthday

A crow guffaws, dirty man throwing the punch of his
one joke. And now, nearer, a murder

answers, chortling from the pale hill’ s brow.
From under my lashes’ wings they stretch

clawed feet. There the unflappable years
perch and stare. When I squint, when I

grin, my new old face nearly hops
off my old new face. Considering what’ s flown,

what might yet fly, I lean my chin
on the palm where my half-cashed fortune lies.

Numbers

I like the generosity of numbers.
The way, for example,
they are willing to count
anything or anyone:
two pickles, one door to the room,
eight dancers dressed as swans.

I like the domesticity of addition —
add two cups of milk and stir —
the sense of plenty: six plums
on the ground, three more
falling from the tree.

And multiplication’ s school
of fish times fish,
whose silver bodies breed
beneath the shadow
of a boat.

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