All seas are seas in the moon to these
lonely and full of light.
High above laundries and rooftops
the pinstriped silhouettes speak nightmare
as do the faces full of fire and orange peel.
Every citizen knows what’ s the trouble: America’ s longest
river is — New York; that’ s what they say, and I say so.
Chico whines, no reason why. Just now walked,
dinner gobbled, head and ears well scratched.
And yet he whines, looking up at me as if confused
at my just sitting here, typing away, while darkness
is stalking the back yard. How can I be so blind,
he wants to know, how sad, how tragic, how I
won’ t listen before it is too late. His whines are
refugees from a brain where time and loss have
small dominion, but where the tyranny of now
is absolute. I get up and throw open the kitchen door,
I place these numbed wrists to the pane
watching white uniforms whisk over
him in the tube-kept
prison
fear what they will do in experiment
watch my gloved stickshifting gasolined hands
breathe boxcar-information-please infirmary tubes
distrusting white-pink mending paperthin
silkened end hairs, distrusting tubes
shrunk in his trunk-skincapped
shaven head, in thighs
Your body, hard vowels
In a soft dress, is still.
What you can't know
is that after you died
All the black poets
In New York City
Took a deep breath,
And breathed you out;
Dark corners of small clubs,
The silence you left twitching
On the floors of the gigs
You turned your back on,
The balled-up fists of notes
Flung, angry from a keyboard.
You won't be able to hear us
Try to etch what rose
Off your eyes, from your throat.
How like the sky she bends above her child,
One with the great horizon of her pain!
No sob from our low seas where woe runs wild,
No weeping cloud, no momentary rain,
Can mar the heaven-high visage of her grief,
That frozen anguish, proud, majestic, dumb.
She stoops in pity above the labouring earth,
Knowing how fond, how brief
A Load of brushes and baskets and cradles and chairs
Labours along the street in the rain:
With it a man, a woman, a pony with whiteybrown hairs.
The man foots in front of the horse with a shambling sway
At a slower tread than a funeral train,
While to a dirge-like tune he chants his wares,
Swinging a Turk's-head brush (in a drum-major's way
She does not know
her beauty,
she thinks her brown body
has no glory.
If she could dance
naked
under palm trees
and see her image in the river,
she would know.
But there are no palm trees
on the street,
and dish water gives back
no images.
A Montparnasse August
with view of the Cimetière. A yard of bones.
We wake to it. Close curtains to it.
Wake to its lanes. Rows of coffin-stones in varying light.
Walking here. Late with shade low, low, long.
We’ re passing through, just passing through
neat aisles of gray mausoleums.
(From Paris. Send this postcard. This one.
Calm water lilies. Water lilies.
Nothing colorless.)
It’ s morning. Baudelaire’ s tomb.
Tree limbs casting shadow west.
The word penis is probably the most misattributed word in
English, I think. Because almost nobody has a real one.
The standards are made in Japanese or German factories.
Womb/vagina sets are unusual too if genuine.
Standards are from China; they are recycled sheepskin wallets.
I was shocked too when I heard this.
I do not have an actual either but they called
me a genius when I figured it out about the fetal
lamb/sheep skin. What else to do with all the wallets
