You hear the roadhouse before you see it,
Its four-beat country tunes
Amplified like surf through the woods,
Silencing bullfrog and red-tailed hawk,
Setting beards of moss dancing
On dim, indeterminate trees
That border two-lane blacktop.
Docked tonight, you reveal the badge
Of the farmer, that blanched expanse of skin
Where cap shades face, babyhood
What I adore is not horses, with their modern
domestic life span of 25 years. What I adore
is a bug that lives only one day, especially if
it’ s a terrible day, a day of train derailment or
chemical lake or cop admits to cover-up, a day
when no one thinks of anything else, least of all
that bug. I know how it feels, born as I’ ve been
into these rotting times, as into sin. Everybody’ s
busy, so distraught they forget to kill me,
and even that won’ t keep me alive. I share
my home not with horses, but with a little dog
At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.
He knew that he heard it,
A bird’ s cry at daylight or before,
In the early March wind
The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.
It was not from the vast ventriloquism
Of sleep’ s faded papier mâché...
The sun was coming from outside.
That scrawny cry — it was
A chorister whose c preceded the choir.
It was part of the colossal sun,
Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.
Poor chap, he always loved larking
And now he’ s dead
It must have been too cold for him his heart gave way,
They said.
Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.
“Nothing but sunlight and gleaming,
linoleum flecked with flame,
a thick coat of wax that flashed
down a corridor and led to a room,
a place where I curled up a few
innocuous inches off the floor.
Straps — word out of strophe,
the restraints of line and stanza —
straps hung in loops on closet hooks.
On the nightstand a basket with
peanut butter crackers, a vivid
and unnatural orange, a crinkly
wrap. A knee-high fridge stocked
with icy juices, foil boxes, straws
glued on. A female voice next door
The alternative to flying is cowardice,
And what is said against it excuses, excuses;
Its want was always heavy in those men’ s bodies
Who foresaw it in some detail; and failing that,
The rest were shown through its skyey heats and eases
In sleep, awoke uncertain whether their waking cry
Had been falling fear only, or love and falling fear.
When the sudden way was shown, its possibility
In terms of the familiar at last shown,
(How absurdly simple the principle after all!)
Any tyrant should have sensed it was controversial:
Was I so poor
in those damned days
that I went in the dark
in torn shoes
and furtiveness
to steal fat ears
of cattle corn
from the good cows
and pound them
like hard maize
on my worn Aztec
stone? I was.
Oh, what am I but an engine, shod
With muscle and flesh, by the hand of God,
Speeding on through the dense, dark night,
Guided alone by the soul’ s white light.
Often and often my mad heart tires,
And hates its way with a bitter hate,
And longs to follow its own desires,
And leave the end in the hands of fate.
I
We aren't serious when we're seventeen.
— One fine evening, to hell with beer and lemonade,
Noisy cafés with their shining lamps!
We walk under the green linden trees of the park
The lindens smell good in the good June evenings!
At times the air is so scented that we close our eyes.
The wind laden with sounds — the town isn't far —
Has the smell of grapevines and beer...
II
With her one horrid eye persistently unfastened, a vigilant bird
watched my grandfather during the Great Depression
use each evening of one whole year to wander his corn fields
knowing this world is just one pig after another
in one pen after another. Therefore, the bird heard him suppose,
shouldn’ t he with his best gun, machete, Buick, or rope
terminate his acquaintance with the tiresome setup
of breakfast-lunch-dinner-dawn-dusk-fall-winter-spring-summer-
