There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.
The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.
The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.
The silence when I hold you to my chest,
the silence of the window above us,
and the silence when you rise and turn away.
You see them on porches and on lawns
down by the lakeside,
usually arranged in pairs implying a couple
who might sit there and look out
at the water or the big shade trees.
The trouble is you never see anyone
sitting in these forlorn chairs
though at one time it must have seemed
a good place to stop and do nothing for a while.
Sometimes there is a little table
between the chairs where no one
is resting a glass or placing a book facedown.
If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
I imagined the atmosphere would be clear,
shot with pristine light,
not this sulphurous haze,
the air ionized as before a thunderstorm.
Many have pictured a river here,
but no one mentioned all the boats,
their benches crowded with naked passengers,
each bent over a writing tablet.
I knew I would not always be a child
with a model train and a model tunnel,
and I knew I would not live forever,
jumping all day through the hoop of myself.
Let’ s make believe
I am happy, I laugh
Black poison, all of me
Its bottleful,
Become sparkling water
My cup runneth over
I am your son
You are my daughter,
The only one
Two shall be born the whole world wide apart,
And speak in different tongues, and pay their debts
In different kinds of coin; and give no heed
Each to the other’ s being. And know not
That each might suit the other to a T,
If they were but correctly introduced.
And these, unconsciously, shall bend their steps,
Escaping Spaniards and defying war,
Unerringly toward the same trysting-place,
Albeit they know it not. Until at last
They enter the same door, and suddenly
They meet. And ere they’ ve seen each other’ s face
A man with binoculars
fixed a shape in the field
and we stopped and saw
the albino buck browsing
in the oats — white dash
on a page of green,
flick of a blade
cutting paint to canvas.
It dipped its head
This exclusive shit I don’ t share with the world.
50 Cent
I, Herman, made medicinal — concocted potions in ways my former’ s was hearsay;
Turned palomas christened Zora on to formulas husbands roll over n mitzvah.
I, a black lad, proud Virginian, selling out Liberty Hall n pinched w/ stickpins
in Woodlawn, do bequeath my next-to-last oratory:
there is a dark mass following me. these legs are clumsy. they flap quickly.
I want to slow them down. but my nerves. Lord, these pensive endings.
the sun slumps against the merging fall on red leaves.
and where the natives are unenlightened, the mass comes closer.
only white people swim in lakes nowadays
you know... Crystal Lake?
How long and thin
she seems today
a field of mustard
smiling up at the sun
it draws her eyebrows
together in a little pain
I don’ t think I ever
saw calligraphy of geese
like this overseas
oaks and pines
pretending to be asleep
not quite dark yet
as it is at home
poor people, midnight
