Nature

"They won't attack us here in the Indian graveyard."
I love that moment. And I love the moment
when I climb into your warm you-smelling
bed-dent after you've risen. And sunflowers,
once a whole field and I almost crashed,
the next year all pumpkins! Crop rotation,
I love you. Dividing words between syl-
lables! Dachshunds! What am I but the inter-
section of these loves? I spend 35 dollars on a CD
of some guy with 15 different guitars in his shack
with lots of tape delays and loops, a good buy!

The women bow and flutter in the field.
The grain lies white with wind in the wide shadow.
Summer is dark, as in the ancient time.

This fair cloud that blooms in the northwest
Has darkened now, as in the ancient time,
And clouds are still at dawn on the soft mountains.

Husks after harvest we shall leave for rain
And our heels’ trace in the loam:
The stir of boughs has warned us,
Fruit in the grass reminds us...

The rake is like a wand or fan,
With bamboo springing in a span
To catch the leaves that I amass
In bushels on the evening grass.

I reckon how the wind behaves
And rake them lightly into waves
And rake the waves upon a pile,
Then stop my raking for a while.

No but come closer. Come a little
Closer. Let the wall-eyed hornyhanded
Panhandler hit you for a dime
Sir and shiver. Snow like this
Drives its pelting shadows over Bremen,
Over sad Louvain and the eastern
Marshes, the black wold. It sighs
Into the cold sea of the north,
That vast contemptuous revery between
Antiquity and you. Turn up your collar,

Because I do not know
what a hendecasyllable is
and words is all I have
to transubstantiate and give,
within me I hunger for a tongue
of my own, unpronounceable
flavors worth a thousand madeleines
(Monsieur P.) as hunting-horns spiral
through my belly and I say:
Schmorrn muis kneidl tirschtlan
guglhupf schluzza friggl prennsuppe
hoadana kneidl hoadanO plente
schaitohaufn kiochlan unt niggilan
faignkaffe kropfn unt Töpfnudl
so rich so good and tasty the speck
smoked wurscht and roast chestnuts

What seemed a mystery was
in fact a choice. Insert bird for sorrow.

What seemed a memory was in fact
a dividing line. Insert bird for wind.

Insert wind for departure when everyone is
standing still. Insert three mountains

burning and in three valleys a signal seer
seeing a distant light and a signal bearer

sprinting to a far-off bell. What seemed
a promise was in fact a sigh.

Look, above the creek, hummingbirds in the trumpet vine.
Not too close, wait. See the green blurs
stitching the leaves?

Here at the edge of the millennium
I don’ t imagine
you’ d call them anything as archaic as angels.

Twice through my bedroom window
I’ ve seen the horned owl drop from the oaks to panic
the rabbit in my neighbor’ s backyard.
Last night he paced for an hour across the top
of the cage, scrutinizing
the can of water, the mound of pellets,
turning his genius to the riddle
of the wire, while under him
the rabbit balled like a fat carnation in the wind.

We have all seen them circling pastures,
have looked up from the mouth of a barn, a pine clearing,
the fences of our own backyards, and have stood
amazed by the one slow wing beat, the endless dihedral drift.
But I had never seen so many so close, hundreds,
every limb of the dead oak feathered black,

And then came the ten moons
Full in the sun’ s glare, and the seraphim,
And it was light all night in the orchards
And on the plains and even in the towns
And mankind rejoiced, because it was now the case
That the wrecking and equivocating could carry on
The pale night long. Mankind rejoiced
And went forth to those places twelve hours of light
Had not made it worth the while to despoil
And gamboled collectively on the cliff tops
And regarded the night-broiling of the sea
Hitherto forbidden, but now opened in festival.