You, my friends, and you strangers, all of you,
Stand with me a little by the walls
Or where the walls once were.
The bridge was here, the city further:
Now there is neither bridge nor town —
A doorway where the roof is down
Opens on a foot-worn stair
That climbs by three steps into empty air.
(What foot went there?)
Nothing in this town that had a thousand steeples
Each morning I made my way
among gangways, elevators,
and nurses’ pods to Jane’ s room
to interrogate the grave helpers
who tended her through the night
while the ship’ s massive engines
kept its propellers turning.
Week after week, I sat by her bed
with black coffee and the Globe.
Down in the shipyard, day and night,
The Galahads of the dock,
Hard as the sinews of basin rock,
Build an ocean cosmopolite.
The rivets stab and the hammers bite
Into the beams and plates of steel
Of the Diesel heart and the belly keel.
We,
The workers of the world strike catholic notes
On woods and irons, wring from brassy throats
Epics of industry.
So the tide forgets, as morning
Grows too far delivered, as the bowls
Of rock and wood run dry.
What is left seems pearled and lit,
As those cases
Of the museum stood lit
With milk jade, rows of opaque vases
Streaked with orange and yellow smoke.
You found a lavender boat, a single
Figure poling upstream, baskets
Skipping out from the major international cocktail party
with my becleavaged blight, a jeroboam in her tight fist,
I broke open my copy of Sarcasm for Beginners, i. e., men.
Never had I seen so many pairs of to-the-elbow gloves.
Never did I see a puttoed ceiling groan so with thin talk
as the great, the grim and the gone pressed terrible flesh,
so many penguins offering tastesome wisps and skimps
from doilied salvers: cherry-shaded caviar, cheese puffs,
dark sugared berries, dainty octopods, gently vinegared,
She took the spareribs out of the oven
and set them steaming on a plate
before leaving her apartment.
I didn't know how long to wait,
tore into cold meat when I decided
my mother wasn't coming back.
*
No one knew about the gun she kept
in her purse until the authorities
called — a.38 caliber pistol
with a pearl handle and a trigger
even she could easily pull —
her car still waiting to be towed
from a roadside ditch
when they arrived on the scene.
*
The silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against the reedy shore,
Thus sung her first and last, and sung no more:
“Farewell, all joys; Oh death, come close mine eyes;
More geese than swans now live, more fools than wise.”
Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
They are not angels
though they have the hollow look
of beings bred on ether. There’ s an air
of cool removal from your life, the hawk’ s
indifference to the hare’ s terror.
You see it in their palms, raised casually
against the fresco’ s surface, as to glass
of submarine or spacecraft, and you see
it in their eyes, oracular, that let you pass
alone to unknown agony. The song
The puppy must be learned of all this material.
No map of the hospital. First, the war effort.
Then, the war itself. The water makes and remakes
its walls. No persons or boats are allowed in them.
