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The Legend

In Chicago, it is snowing softly
and a man has just done his wash for the week.
He steps into the twilight of early evening,
carrying a wrinkled shopping bag
full of neatly folded clothes,
and, for a moment, enjoys
the feel of warm laundry and crinkled paper,
flannellike against his gloveless hands.
There’ s a Rembrandt glow on his face,
a triangle of orange in the hollow of his cheek

The Lie

Some bloodied sea-bird’ s hovering decay
Assails us where we lie, and lie
To make that symbol go away,
To mock the true north of the eye.
But lie to me, lie next to me;
The world is an infirmity.

Too much of sun’ s been said, too much
Of sea, and of the lover’ s touch,
Whole volumes that old men debauch.
But we, at the sea’ s edge curled,
Hurl back their bloody world.
Lie to me, like next to me,

The Lie

As was my custom, I’ d risen a full hour
before the house had woken to make sure
that everything was in order with The Lie,
his drip changed and his shackles all secure.

I was by then so practiced in this chore
I’ d counted maybe thirteen years or more
since last I’ d felt the urge to meet his eye.
Such, I liked to think, was our rapport.

I was at full stretch to test some ligature
when I must have caught a ragged thread, and tore
his gag away; though as he made no cry,
I kept on with my checking as before.

The Lights at Carney’s Point

O white little lights at Carney’ s Point,
You shine so clear o’ er the Delaware;
When the moon rides high in the silver sky,
Then you gleam, white gems on the Delaware.
Diamond circlet on a full white throat,
You laugh your rays on a questioning boat;
Is it peace you dream in your flashing gleam,
O’ er the quiet flow of the Delaware?

The Little Odyssey of Jason Quint, of Science, Doctor

1.

Betrayed by his five mechanic agents, falling
Captive to consciousness, he summons light
To all its duties, and assumes the world
Like a common penance. Rust on the green tongue burns
Like history’ s corrosive on his living tree.
But all the monsters of his sleep’ s dark sea
Are tame familiars in the morning sun.

2.

The Llano Estacado

How much soil do you plow to soothe a conscience?
If you’ re a staked plains, dry-land, long view man:
a sky’ s worth. Some even sow the dry playa
mid-summer with sorghum, the cotton plowed under
after early hail. Thus, not every farmer keeps
an old broken homestead sacred as a graveyard.
Today, no Sharpshin on a pivot for an omen,
no stoic farmer on a turn-row changing water.

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