Netflix the Green Man and any screen
becomes a vineyard. Episodes cluster
and climb, trellis narrative. Between
the corn and lichen, creepers muster

nine lives. They grow, divide, and splice,
steal scenes by running fox grape, bittersweet,
return on any handheld device
as moonseed, woodbine, dodder, buckwheat —

false buckwheat — note, though star- and heart-shaped.
He trucks some mascot for our kids, glad-hands
a sidekick dressed to burrow, root, and take
them through their lessons rattling dad’ s

Come to your heaven, you heavenly choirs,
Earth hath the heaven of your desires.
Remove your dwelling to your God;
A stall is now his best abode.
Sith men their homage do deny,
Come, angels, all their fault supply.

His chilling cold doth heat require;
Come, seraphins, in lieu of fire.
This little ark no cover hath;
Let cherubs’ wings his body swathe.
Come, Raphael, this babe must eat;
Provide our little Toby meat.

I / omen

What was going on in the New York American
Black/red/green helmeted neon night?
The elevator door was closing behind us, we were the ones

Plunging floor after floor after floor after floor
To the abyss — but it was someone else’ s face
Staring from the screen out at us, someone else’ s face

Saying something flashing from the teleprompter:
Though what the face said was meant to reassure,
Down in the abyss the footage kept playing,

The hinge of the year
the great gates opening
and then slowly slowly
closing on us.
I always imagine those gates
hanging over the ocean
fiery over the stone grey
waters of evening.
We cast what we must
change about ourselves
onto the waters flowing
to the sea. The sins,
errors, bad habits, whatever
you call them, dissolve.
When I was little I cried
out I! I! I! I want, I want.
Older, I feel less important,
a worker bee in the hive
of history, miles of hard