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The dead

Our business is with fruit and leaf and bloom;
though they speak with more than just the season's tongue —
the colours that they blaze from the dark loam
all have something of the jealous tang

of the dead about them. What do we know of their part
in this, those secret brothers of the harrow,
invigorators of the soil — oiling the dirt
so liberally with their essence, their black marrow?

But here's the question. Are the flower and fruit
held out to us in love, or merely thrust
up at us, their masters, like a fist?

The Dead Remember Brooklyn

It is the great arguments
we are proud of, over a nibbled peach,
hair in the comb, a faulty lube job;
the reconciliations were always naked
in borrowed rooms, sometimes in Queens
or Staten Island, we touched each other
shyly — we reminded each other
of loneliness and funk and beautiful pigeons
with oil-slick necks, cooing bitterly —
but there we lost each other
in forgiveness; keeping score,
being wounded even in triumph,
walking home down leafy avenues
etched with the faint double line

The Death of Silence

A car’ s backfire
rifles the ear

with skeleton clatter,
the crowd’ s walla walla

draws near, caterwaul
evaporating in thin air.

Silence is dead.
(Long live silence.)

Let’ s observe a moment
of it, call it what it’ s not:

splatter of rain
that can’ t soothe

the window’ s pane,
dog barking

up the wrong tree.
Which tree, which air

apparent is there to hear
a word at its worth?

Hammer that drums
its water-logged warning

against the side
of the submarine:

The Death of the Hired Man

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’ s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

The Delight Song of Tsoai-talee

I am a feather on the bright sky
I am the blue horse that runs in the plain
I am the fish that rolls, shining, in the water
I am the shadow that follows a child
I am the evening light, the lustre of meadows
I am an eagle playing with the wind
I am a cluster of bright beads
I am the farthest star
I am the cold of dawn
I am the roaring of the rain
I am the glitter on the crust of the snow
I am the long track of the moon in a lake
I am a flame of four colors
I am a deer standing away in the dusk

The Destruction of Sennacherib

The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.

the difference between a bad poet and a good one is luck

I suppose so.
I was living in an attic in Philadelphia
It became very hot in the summer and so I stayed in the
bars. I didn’ t have any money and so with what was almost left
I put a small ad in the paper and said I was a writer
looking for work...
which was a god damned lie; I was a writer
looking for a little time and a little food and some
attic rent.
a couple days later when I finally came home
from somewhere
the landlady said, there was somebody looking for
you. and I said,

The Ditch

In the ditch, half-ton sections of cast-iron molds
hand-greased at the seams with pale petroleum waste
and screw-clamped into five-hundred-gallon cylinders
drummed with rubber-headed sledges inside and out
to settle tight the wet concrete
that, dried and caulked, became Monarch Septic Tanks;
and, across the ditch, my high school football coach,

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