Song and Dance
Did you ever have a family?
Dark
dining room,
bright kitchen,
white steam
from the big pot my mother’ s stirring
reaching in wavy tendrils to her face,
around her face, all the way around
Did you ever have a family?
Dark
dining room,
bright kitchen,
white steam
from the big pot my mother’ s stirring
reaching in wavy tendrils to her face,
around her face, all the way around
What never comes when called.
What hides when held.
Guest
most at home where least
expected. Vagrant
balm of Gilead.
What, soon as here,
becomes
the body’ s native ground and,
I.
By the road she hovers in heat waves,
propped up on a cinderblock wall,
revived by mixed house paints,
fending for herself like wild mint.
She is behind your shoulder,
a blind spot, your city's poverty.
A figure waits under a freeway ramp,
gesturing as if she knows you.
I.
The Santa Anas, childlike and profound,
blanket me; I see the dust stirring the valley
and clouding downtown San Bernardino;
I feel the sting of your loss.
The black oak leaves, brittle, tumbling,
crack under my feet. Is your hand
touching the dryness of my lips?
You sing: "Don't sit, mountain-still,
a coyote skull whistling."
I tug at the skin on my wrist, trying
to peel off the seam, my stubbornness.
Now, when he and I meet, after all these years,
I say to the bitch inside me, don’ t start growling.
He isn’ t a trespasser anymore,
Just an old acquaintance tipping his hat.
My voice says, “Nice to see you,”
As the bitch starts to bark hysterically.
He isn’ t an enemy now,
Where are your manners, I say, as I say,
“How are the children? They must be growing up.”
At a kind word from him, a look like the old days,
We who must act as handmaidens
To our own goddess, turn too fast,
Trip on our hems, to glimpse the muse
Gliding below her lake or sea,
Are left, long-staring after her,
Narcissists by necessity;
I can’ t go to the east village anymore
because it is like going on a tour
of my worst dates. I get older, my heart
leaps at the sight of children
who don’ t belong to me, I pronounce
everything like an Italian opera title.
I used to listen to songs and have someone
in mind for the you parts, now I just want
to be where the light is intense, I want
the kind of heat that kills you
if you drive into it unprepared. This
isn’ t a metaphor for anything else.
At the gym, they told me I would not die,
I would only get sexier, and I believed them.
I spent my nights wondering if this was going to turn
into something long-term, if this was what is meant by casual,
or if this was just my annual catastrophic disappointment
because if it wasn’ t, then I would have to brace
myself. I took my medication and looked at pictures
of people who were not in love with me. I deleted
their names from my cache, said hello to my cat
over the phone, took more medication. Days
Four-fifty. The palings of Trinity Church
Burying Ground, a few inches above the earth,
are sunk in green light. The low stones
like pale books knocked sideways. The bus so close to the curb
that brush-drops of ebony paint stand out wetly, the sunlight
seethes with vibrations, the sidewalks
on Whitehall shudder with subterranean tremors. Overhead, faint flickers
At last I can be with you!
The grinding hours
since I left your side!
The labor of being fully human,
working my opposable thumb,
talking, and walking upright.
Now I have unclasped
unzipped, stepped out of.
Husked, soft, a be-er only,
I do nothing, but point
my bare feet into your
clean smoothness
feel your quiet strength
the whole length of my body.
I close my eyes, hear myself
moan, so grateful to be held this way.