The Ten Best Issues of Comic Books
1. X-Men #141 & 142
2. Defenders #125
3. Phoenix: The Untold Story
4. What if...? #31
5. New Mutants #1
6. New Mutants #2
7. Micronauts #58
8. Marvel Universe #5
9. New Mutants #14
10. Secret Wars #1
1. X-Men #141 & 142
2. Defenders #125
3. Phoenix: The Untold Story
4. What if...? #31
5. New Mutants #1
6. New Mutants #2
7. Micronauts #58
8. Marvel Universe #5
9. New Mutants #14
10. Secret Wars #1
The pianist Joe Sullivan,
jamming sound against idea
hard as it can go
florid and dangerous
slams at the beat, or hovers,
drumming, along its spikes;
in his time almost the only
one of them to ignore
the chance of easing down,
walking it leisurely,
he’ ll strut, with gambling shapes,
underpinning by James P.,
amble, and stride over
gulfs of his own leaving, perilously
toppling octaves down to where
the chords grow fat again
I
“There is a Thorn — it looks so old,
In truth, you’ d find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.
Three little kittens they lost their mittens,
And they began to cry,
Oh, mother dear, we sadly fear
Our mittens we have lost.
What! lost your mittens, you naughty kittens!
Then you shall have no pie.
Mee-ow, mee-ow, mee-ow.
No, you shall have no pie.
The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.
Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.
I
I heard a small sad sound,
And stood awhile among the tombs around:
"Wherefore, old friends," said I, "are you distrest,
Now, screened from life's unrest?"
II
"O not at being here;
But that our future second death is near;
When, with the living, memory of us numbs,
And blank oblivion comes!
The laughing gull that flew behind the fencepost
and never came out was the beginning
and then a hand smaller than my hand covered Wisconsin
with a gesture for explanation.
In the afternoon there are pauses between the words
through which commas can grow like daisy fleabane.
A fish with an osprey in its back emerges from the Sound
and nothing can be learned by more analysis.
The book of her hair opens to its binding and I leaf through
the glorious pages of appreciation and that’ s not all.
My little Son, who look'd from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey'd,
I struck him, and dismiss'd
With hard words and unkiss'd,
His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken'd eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
Inside the starboard window
of his room in a boat at sea,
the piece of earth he's scraped from a dead gull’ s leg
sprouts eighty different species, green
under bell glass. By the sunlight
of the oil lamp he makes rain
as the wind picks up toward Chiloe,
Port Famine, Concepcion, and then Galapagos.
Here he finds shipwrecked sailors’ epitaphs cut