Through the branches of the Japanese cherry
Blooming like a cloud which will rain
A rain white as the sun
The living room across the roadway
Cuts its square of light
And in it fight
Two figures, hot, irate,
Stuck between sink and sofa in that golden cage.
Come out into the night, walk in the night,
It is for you, not me.
The cherry flowers will rain their rain as white
Cool as the moon.
Listen how they surround.
You swing among them in your cage of light.
The evidence was in and it went to the contrary.
The contrary wound around us rather like a river.
The river reacted, spider-like, tangling up its legs
with other wet parts we thought we knew,
such as creeks and fjords and deltas and such.
A beaver sits on the riverbank watching all of this unfold.
He doesn’ t know what a fjord is, and he doesn’ t care
for other waters, or even other beavers, or the merest
hint of other business, so he removes this evidence.
I called the white donkey that hurt my left shoulder
the last time it appeared, ramming me
with its ivory head, cracking my back
to relieve me of worry and hope.
I called the white donkey,
surprised at the sound of my voice.
Scared, I wondered if the white head
would give me its donkey brain,
snowy matter dripping into my ears
like the horse of the first man who fell off,
the donkey teaching me about desire
and the moan, that white hair on the back
of my head that warns me.
We tied branches to our helmets.
We painted our faces & rifles
with mud from a riverbank,
blades of grass hung from the pockets
of our tiger suits. We wove
ourselves into the terrain,
content to be a hummingbird’ s target.
We hugged bamboo & leaned
against a breeze off the river,
slow-dragging with ghosts
from Saigon to Bangkok,
with women left in doorways
reaching in from America.
We aimed at dark-hearted songbirds.
They had questioned him for hours. Who exactly was he? And when
He told them, they questioned him again. When they accepted who he was, as
Someone not involved, they pulled out his fingernails. Then
They took him to a waste-ground somewhere near the Horseshoe Bend, and told him
What he was. They shot him nine times.
Because the silence of the dead,
that blue expanse of sky about
to ashen here above my head,
is easily ignored, our tears
are blamed on flowers whitening limbs
of trees, the very air, with hymns
of summer pollen no one hears
except for women — old, devout.
If on your grandmother's birthday you burn a candle
To honor her memory, you might think of burning an extra
To honor the memory of someone who never met her,
A man who may have come to the town she lived in
Looking for work and never found it.
Picture him taking a stroll one morning,
After a month of grief with the want ads,
Heureux ceux qui ont la clim
Pendant la grande canicule.
Heureux those whose culs are cool.
Heureuse her and heureux him.
C’est la canicule qui hurle,
Ready to tear you limb from limb.
Heureux ceux qui ont la clim,
Cri-criant: ‘O turlútuturle! ’
La situation est grim,
The mise-en-scène a trifle burle.
À chaleur disons donc: ‘Ta gueule! ’
And keep ourselves amused and slim.
Thar he blows! Plus, tusks
crushed into grins, grins
host to, guest of, impish
Nature, her fort/da “jewels”
glassified behind blank
opposable pupils — Ahabit perfected
(“perhaps memory”) by/for the dicey
Veil. Auto-didact/-dialectics
staged in rent-to-rent
“crowded houses,” asea to har-har-
poon Terrible Tom’ s tom-tom
stutter — VAC C. Gone
but for “language, music,
imitation and perhaps memory.”
Owns no umbrella to forget to splay
Lynette, the stars are kerned so far apart —
Through a herniated zodiac I almost see your waled skylanes, your shocked Capricorn and Cancer.
In the hundred and two years since you were born, and the sixteen since your heart failed, and the nearly sixty since you gave up poetry, it seems we can’ t navigate by the same star chart.
I’ d like to think we were fated to work the same coracle: you steering with one hand, grasping your corner of the seine while I grasp mine; together sweeping the weirs.
